The Pixel Prize

The Pixel Prize is a hybrid grant-award that promotes the use of technology in art. We believe art can be a vessel for subversive education, boundary pushing, and critical inquiry about the world around us. By commissioning this digital art piece, we aim to interrogate topics ranging from freedom of speech and censorship to data sovereignty and privacy.

For the 2025 period, we will focus on using blockchain as an artistic medium to drive this critical conversation – conversations around blockchain’s shortcomings and potential. Winners of the inaugural prize will gain exposure for themselves and their work.

Inspired by the Cascade Funding Model, JUST has selected GLITCH, spearheaded by Primavera de Filippi, to manage the selection and evaluation of artists who apply.

What is GLITCH?
GLITCH is a collective of avant-garde artists and visionaries operating at the intersection of art, technology, and societal transformation. The collective transcends traditional institutional boundaries, uniting a variety of polymaths who share a passion for collaborative exploration and a commitment to open source ideals. As such, GLITCH does not just create art, it catalyzes new paradigms for creativity, dissolving boundaries between disciplines while building an open ecosystem that embraces collaborative creation and technological innovation as pathways to artistic exploration.

COALA, The org behind GLITCH
COALA is a unique, collaborative, global and multidisciplinary community that brings together individual experts in the decentralized ecosystem to explore the implications and deployment of blockchain technologies at the nexus of our evolving social and economic order in the 21st century.

The Grant + Prize Structure
• Funds can be used to address costs including those associated with living expenses, technical costs, other art creation expenditures• Awarding THREE €6.000 micro-grants
• Awarding ONE €50.000 grand prize from the grantee pool

To submit an application, you must meet the eligibility requirements below:

• Applicants must be based in Europe
• Applicants may be collectives or Individuals
• No Companies or Traditional Institutions
• Applicants are limited to one application

Please bundle the following materials into one PDF, where possible, including links and portfolio separately if need be.

When you hit the 'Apply'  button, you will be redirected to an email browser. Submit your application as an attachment, with a brief email body intro.

The submission should include:
• A video motivation letter and bio(3-5 minutes in length)
• Portfolio: website, videos, and images allowed (accepted file types: .pdf, .jpg, .png, .mp4, .mov) at the highest possible resolution• Written Artistic concept (500-1000 words)• One-Page Resume

Thematic relevance
The proposed artwork must align with one of the four established themes - See Focus Area Tab

Blockchain as a medium
The project must demonstrate blockchain integration through either a smart contract implementation, or a clear justification of what it qualifies as "blockchain as a medium" (i.e. with innovation beyond basic NFT functionalities).

Open Source Requirement
• All project components must be open source
• Must be licensed under a standard open source license

Project Novelty
• Projects need not be conceptually novel
• Projects shouldn't have been implemented in other calls
• Implementation must be eligible for exclusive grant status, and it must qualify for promotional purposes without stakeholder conflicts

Applications will be accepted on a rolling basis and will close when the three grantees have been selected. It is to your advantage to get applications in as early as possible.

Open Call – ROLLING: May 30 - Aug 10, 2025 [EXTENDED]
Micro-Grant Recipients Announced: Aug 11, 2025
Grantee Exhibition: Nov 6-15, 2025
Prize Selection and Dinner: Nov 15, 2025
Grand Prize Exhibition: June 2026

Grantees are expected to produce an original work for exhibition in November. The work need not be in its final form, but should clearly showcase the concept the artist wants to convey.

Selection for the grand prize will be made based on the Grantee Showcase submissions. The grand prize will allow the artist to complete the full scope of work for their own solo exhibit in 2026.

Additionally, We expect:
• Regular check-ins
• A single piece or body of work that fulfills the theme requirements
• A record of how money was allocated

We want projects to explore the following themes:

• Privacy as a human right
• Data sovereignty
• Economic rights
• Censorship resistance

Applications are now Closed

What (and who) we fund

What we don’t fund

Evaluation

All applications will be evaluated by our call partner, GLITCH.

Primavera De Filippi

Artist and legal scholar at Harvard University, exploring the intersection between art, law and technology, focusing specifically on the legal and political implications of blockchain technology. Her artistic practice instantiates the key findings of her research in the physical world, creating blockchain-based lifeforms that evolve and reproduce themselves as people feed them cryptocurrencies. Exhibited globally: Ars Electronica and Francisco Carolinum (Linz, Austria), HEK Museum of Digital Arts (Basel), Furtherfield Gallery, Gazelli Art House, and Kinetica Art Fair (UK), Centre Pompidou, Grand Palais, Gaité Lyrique, Le Cent Quatre and Artverse (Paris, France),  and Palazzo Cipolla and Biennale di Venezia (Italy).

Marlene Wenger

Curator and researcher based in Bern, Switzerland, who is interested in how digital technologies in the 21st century influence the production, perception or distribution of contemporary art. Her curatorial work deals with topics such as artificial intelligence, online self-representation and body images in social media. In her PhD project, she examined exhibition displays of postdigital artistic practices in physical and virtual spaces. She is currently employed as head of program and curator at HEK (House of Electronic Arts) in Basel.

Eleonora Brizi

Digital art curator, specializing in blockchain art, while also focusing on generative AI. Founder of Breezy Art, co-founder of 100 collectors, curator at MakersPlace. She graduated in contemporary Chinese art and worked for several years in Beijing with artist Ai Weiwei. In 2018, she relocated to New York and shifted her focus to developments in the field of art and technology. As one of the first curating presences in Web3, Eleonora spearheaded many of the earliest Cryptoart projects. Today, she continues to curate and lead web3 and digital art initiatives.

Maria Paula Fernandez

Argentinian/Italian, relocated in Germany (Berlin) since March 2013. Currently working as Director of Growth at Avara. Maria Paula has been the co-founder and COO at Juried Protocol Galleries LTD (JPG.space) based in Berlin. Founder and former Managing Director of ETHBerlin/ Department of Decentralization. Other past experience includes Golem, a Blockchain project aiming to create a decentralised marketplace for computing power.

Elena Grozdanovska

A Master’s student of Political Science at the University of Bonn, Germany, Elena is a research assistant at the Centre for Advanced Security, Strategic and Integrations Studies (CASSIS), working for the project “Infrastructures of China’s Modernity.”

She is investigating how blockchain-based governance relates to space making. Her project starts from the observation that blockchain-enabled collectives – especially experimental approaches to develop new types of communities – manifest within spatial confines and develop specific territorial features. She aims to advance the current edge of social science research on blockchain futures by exploring two case studies of existing network collectives affiliated with the Ethereum protocol, whose practices of self-infrastructuring are, crucially, temporarily or permanently affiliated with a given territory in physical space.

Felix Beer 

Felix is a researcher and advisor at BlockchainGov and ecosystem manager at TUM Think Tank in Munich.  

While blockchain technology has transformed decision-making by shifting control to distributed networks, many web3 ecosystems struggle with developing effective governance mechanisms. Often, blockchain technologists lack the expertise to build robust governance solutions and navigate complex legal, regulatory, and ethical challenges.

To address this skills gap, this research project is developing a competency framework that establishes blockchain governance as a recognized field of expertise. This framework will define essential skills and knowledge areas, validate them through expert interviews, and provide educational resources for training stakeholders. By bridging academic research with practical application, this initiative aims to professionalise blockchain governance and cultivate a pipeline of skilled governance experts in the web3 community.

Charlie Fisher

Charlie is Doctoral Researcher at Oxford Brookes University and a Strategic Designer at Dark Matter Labs. 

With rising material and labour costs, and a reduction in grant-availability, it is increasingly difficult to finance common good projects like affordable housing, community centres, music venues, and local food initiatives. 

Piloted in two Berlin civic spaces, this project aims to explore the initial design parameters for a Neighbourhood Wealth Transfer (NWT) mechanism, which utilises web3 technologies to manage and distribute community-generated revenue transparently and equitably towards community initiatives. 

Benjamin Heurich

Benjamin is a Scientific Researcher at the Institute for Applied Blockchain at the Digital Business University in Berlin. 

Over the past two decades, his scholarly pursuit has centred on system theory and the development of a global education theory grounded in digital literacy. This journey has led him to explore the transformative potential of blockchain technology within these fields. His research investigates the intersection of blockchain technology and global education, particularly how blockchain can revolutionise educational frameworks through enhanced data security, certification authenticity, and decentralised governance.

Through a series of international research projects and academic engagements, including fieldwork in Africa, Japan, and Australia, he has examined the sociological implications of integrating blockchain into educational systems. His findings suggest that blockchain can address key challenges in global education, such as ensuring equitable access to learning resources, maintaining the integrity of academic credentials, and supporting personalised learning pathways. His project will investigate and highlight the potential of blockchain technology to drive innovation and equity in global education.

0xfff
0xfff is a pseudonymous artist working with smart contracts and distributed systems. Their projects treat blockchain protocols as both material and site for art-making—creating long-running works that run as autonomous programs, accumulate endless todo lists, or map their own movement across networks. Through exhibitions like World Computer Sculpture Garden—a pure show of contracts and a show as contract itself—they explore computation not as a tool but as the thing itself. Part systems art, part poetic experiment, their practice playfully investigates alternative ways of understanding computation, from protocol art to collaborative, dynamic environments.
My website is 0xfff.love in case you link it.
Paul Seidler
Paul Seidler is an artist and researcher based in Berlin, whose work traverses networks — from creating protocols to deploying decentralized and peer-to-peer interventions. In 2020, he graduated from the University of the Arts Berlin in the class of Prof. Joachim Sauter. Since 2015, he has been working with blockchain-based technologies to investigate questions of value, ownership and encryption, thereby creating a body of onchain work using self-written smart contracts, zero-knowledge circuits and token-based protocols. Seidler has written extensively on the technical affordances of smart contracts as an artistic medium, situating his practice within the broader history of cypherpunk experimentation and conceptual art. He is recognized as one of the founding members of terra0, a collective comprising developers, theorists, and artists committed to developing hybrid ecosystems within the technosphere. His work has been featured in prominent exhibitions and discussions, including the 7th Athens Biennale, Schinkel Pavilion, Transmediale, the 58th Carnegie International, and KW Institute for Contemporary Art.
Iannis Bardakos
Iannis Bardakos is an artist, a metaphysicist, and a hunter-gatherer of form and non-localities. His theory-practice unfolds through cybernetics, speculative philosophy, and technoetic processes, where he constructs ontologies and conjures mutable formalisms. He holds a double PhD from the School of Fine Arts of Athens and from Paris 8 University.He operates in a non-linear oscillation between Athens, Paris, and China, teaching at BNBU University and manifesting art through the 2^6 Studio and Cognitive Nexus in Shanghai. His research engages extended cognition, diagrammatic aesthetics, and bio-experimental relationality. A cybernetician at heart, he treats thought and action as co-evolving gestures across physical and metaphysical fields.His art and writing have appeared in Europe and Asia. He is co-editor of the Technoetic Arts journal and a member-at-large of the American Society for Cybernetics.⁦   

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FAQs

Can the publications I submit be in German?

No, all documentation should be submitted in English.

Do I need to be affiliated with a German institution?

The only requirement is that at least one artist in the project be based in the European Union. For solo creators, they must be based in the EU.

Do I need to be based in Berlin to apply?

No, but you do need to be based in the European Union. Eventually, we’ll branch out to other locations.

What if I miss the deadline?

You’ll have to wait until the next cohort. BUT! In the short term, you can join our Luma calendar to be notified of future events and calls.

Got more questions?

Get in touch at grants[at]justopensource.io